Full Deep Blue Sea in Best Look.
Now you can see Deep Blue Sea in high definition format with duration 105 Min and was published in 1999-07-27 with MPAA rating is 193.- Movie title in your country : Deep Blue Sea
- Year of movie : 1999
- Genres of movie : Horror, Action, Thriller, Science Fiction,
- Status of movie : Released
- Release date of movie : 1999-07-27
- Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Countries of movie : Australia, United States of America,
- Language of movie : English,
- Durationof movie : 105 Min
- Average vote of movie : 5.2
- Youtube ID of movie : gpdab_bi2HY
- Translation of movie : EN,DE,RU,IT,FR,SV,NL,ZH,ES,PT,CS,HU,PL,DA,JA,
- Actors of movie :Thomas Jane (Carter Blake), Saffron Burrows (Dr. Susan McCallister), LL Cool J (Sherman 'Preacher' Dudley), Michael Rapaport (Tom "Scoggs" Scoggins), Samuel L. Jackson (Russell Franklin), Stellan Skarsgård (Jim Whitlock), Jacqueline McKenzie (Janice Higgins), Aida Turturro (Brenda Kerns), Cristos (Boat Captain), Daniel Rey (Helicopter Pilot), Valente Rodriguez (Helicopter Co-Pilot), Brent Roam (Helicopter Winch Operator), Eyal Podell (Boy #1), Erinn Bartlett (Girl #1), Dan Thiel (Boy #2), Sabrina Geerinckx (Girl #2), Tajsha Thomas (Friend of Janice), Frank Welker (Parrot Noises (voice))
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Movie plot of :
Full Deep Blue Sea in Best Look with movie synopsis "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility." in top quality. Best Deep Blue Sea in Best Look.
Director : Renny Harlin, Screenplay : Duncan Kennedy, Screenplay : Donna Powers, Screenplay : Wayne Powers, Producer : Akiva Goldsman, Producer : Tony Ludwig, Executive Producer : Bruce Berman, Executive Producer : Duncan Henderson, Original Music Composer : Trevor Rabin, Editor : Derek Brechin, Editor : Dallas Puett, Editor : Frank J. Urioste, Director of Photography : Stephen F. Windon, Casting : Christine Sheaks, Costume Design : Mark Bridges, Production Design : Joseph Bennett, Production Design : William Sandell, Art Direction : Héctor Romero, Art Direction : Andrew Rothschild, Supervising Art Director : Bruce Crone, Supervising Art Director : Mark W. Mansbridge, Set Decoration : Debra Echard, Costume Supervisor : James W. Tyson, Set Costumer : Carrie Bauer, Hairstylist : Robert L. Stevenson, Hairstylist : Peter Tothpal, Makeup Department Head : Jeff Dawn, Makeup Artist : Allan A. Apone, Production Supervisor : Anna Roth, Art Department Coordinator : Beth Bajuk, Assistant Art Director : Jonathan McKinstry, Assistant Art Director : Nick Navarro, Assistant Art Director : Ligia Ornelas, Assistant Art Director : David Sandefur, Construction Coordinator : Gary Deaton, Property Master : Eric J. Bates, Leadman : Russell R. Anderson, Set Designer : Bill Taliaferro, Set Designer : Javier Nava, Set Designer : Karl J. Martin, Property Master : Jerry Moss, ADR & Dubbing : Hugh Waddell, Foley : Kevin Bartnof, Foley : Catherine Harper, Dialogue Editor : John F. Reynolds, Dialogue Editor : Patrick J. Foley, Supervising Sound Editor : Robb Wilson, Supervising Sound Editor : J. Paul Huntsman, Sound Effects Editor : Adam Johnston, Sound Effects Editor : Andrew Somers, Sound Effects Editor : Jayme S. Parker, Sound Re-Recording Mixer : John T. Reitz, Sound Recordist : Rick Hromadka, Visual Effects Editor : Scott Balcerek, Visual Effects Producer : Thomas Boland, Visual Effects Producer : Kristen Branan, Visual Effects Editor : Kevin Clark, Visual Effects Producer : Scott Dougherty, Visual Effects Editor : Mark Eggenweiler, Visual Effects Editor : Lincoln Kupchak, Visual Effects Editor : Steve Shaw, Visual Effects Producer : Heather Smith, CG Supervisor : John E. Sasaki, Visual Effects Supervisor : Jerry Pooler, Visual Effects Supervisor : Jeffrey A. Okun, Visual Effects Supervisor : Craig A. Mumma, Visual Effects Supervisor : William Mesa, Visual Effects Supervisor : Rebecca Marie, CG Supervisor : Douglas R. MacMillan, Visual Effects Supervisor : Jamie Dixon, Animation : Constance Bracewell, Animation : Julie Nelson, Animation : Bruce Pearson, Animation Supervisor : Ken Stranahan, CGI Supervisor : Serge Sretschinsky, Stunt Coordinator : R.A. Rondell, Second Unit Cinematographer : Gary Capo, Camera Operator : Leo J. Napolitano, Camera Operator : Phil Pastuhov, Camera Operator : Guillermo Rosas, Camera Operator : Gregory J. Schmidt, Camera Operator : Marc Spicer, Steadicam Operator : Mark Emery Moore, Underwater Camera : Pete Romano, Additional Camera : Frederick Iannone, Still Photographer : Merie Weismiller Wallace, Music Editor : Will Kaplan, Music Editor : Dick Bernstein, Transportation Coordinator : Russell McEntyre, Script Supervisor : Kelly Moon, Unit Publicist : Peter J. Silbermann, Script Supervisor : Portia Tickell, Associate Producer : Patrick Lynn, Producer : Don MacBain, Associate Producer : Thomas J. Mack, Producer : Alan Riche, Executive Producer : Jonathan Schwartz, Co-Producer : Rebecca Spikings
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